''When perceiving a ‘work of art’ (which could even be a comic book), someone always expects to be surprised with something new; otherwise it is not creative enough and thus no work (of art). When the viewer eventually gets surprised, this surprise has to be connected to the very expectations the viewer has beforehand (which doesn’t even make it a surprise anymore, does it?) otherwise the work will be perceived as unpleasant, unwanted or violating someone’s expectations, which will result in an uncomfortable laugh or grin.''

''There are three possible works of art; the ones which don’t surprise and are therefore not creative, those who surprise us in the pleasant way we want to be surprised and are therefore ‘creative’ (which doesn’t make it a surprise and therefore aren't really creative), and the ones which surprise us in an unpleasant/unexpected way and are in fact creative, but are deemed ‘unwanted’ by the public.''

''It’s pretty obvious that the second one of the three ‘creative works of art options’ I mentioned are the works you would see the most in public places and on social media, since these weirdly apply to the demand of the public (just the right amount of creativity and just the right amount of ‘expected surprise’). The works from the third category (which are the real works of art) are always there but are somehow waiting upon the approval of the public.''

''We could see the second category as ‘the dominant ideology’ while the third one is the hidden/excluded part, waiting for the viewer to witness it in the right time, resulting in ‘The (D-)Event’ and causing a perspective-shift, making the viewer think otherwise.''

''(Laugh/Grin + Surprise/Discomfort = Creative work of art).''